For almost so long as video video games have been round, they’ve loved a good relationship with pop music. As early as 1983, Bally-Halfway collaborated with Journey to make a recreation stuffed with licensed songs and the band members’ digitized faces (which adopted greater than a decade of pinball cupboards that includes megaton bands), and that claims nothing of media sensations like “Pac-Man Fever.”
In the meantime, interactive musical experiences, considerably exterior the agency “gaming” realm, started rising within the CD-ROM period. These ranged from easy computer-exclusive content material slapped onto a traditional album’s knowledge observe to full-blown multimedia software program that includes the likes of David Bowie and Prince.
Thus, the synergy of gaming and pop music is plagued by numerous “firsts,” and this week, a modest music video by a Texas indie band won’t register as a very huge deal. It isn’t a Doom clone starring Iron Maiden or a hilarious light-gun recreation starring Aerosmith. However this “playable” music video arguably heralds a brand new period: one the place online game engines, and thus a gaming mentality, have turn into completely foundational in popular culture.
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